Franco-American Woman Thinks About It

Saturday, February 17, 2007

combine and lose autonomy

They did this thing, right, they combined all the blogs into one account...well, I have to admit, I participated...by hitting the yes switch...and what happens? Wipe out!

I've moved on...this is the title of this blog, but not my personal profile...this blog's description is not my personal blogspace, but the work I do gathering the "proof" of the French on the continent...

I'm at a new address:
http://fafemme.blogspot.com/

Thursday, February 15, 2007

don't you hate it when that happens...

...when your prosthesis or prosthetic bra goes AWOL? I do. No, I'm not marrying you. And, non, it is not lost between the sheets...this was a post-washing AWOL, NOT a heat of the moment pre-wash AWOL walking bra...ok, ok, this time it is only the prosthetic bra, soft as butter, $70 from Yugoslavia, not the ivory tone ones...those are accounted for...in the laundry pile...THOSE are pre-wash...no, no, no, non...no heat of the moment THERE either...careme...Lent coming up, get out your sacrés for Lent...Lent what, I Lent you Nothing...got that, most of all the darker flesh toned butter soft bra...

And then the damn bra disappears, messing up the entire week...of prosthesis care plan...hand wash them in the washing machine...AIR dry them on the rack made in the prison...wooden, extra large, the clothes drying rack...not the bra, 'tupid.

Trick angel is about...that is the explanation...well, the explanation I give the grandson when we misplace toys..."that old trick playing angel is around here again..."

I call him up when the toy reappears in the couch cushions...grandson likes to stash things...Trick angel gave it back...

I'm off topic.

I washed the damn thing with the light colored one the other day...carried them both back upstairs...

Checked the dirty laundry basket in the bedroom...only two light colored ones...accounted for. That's $140. worth of prosthetic underwear, check!

AWOL...1, ONE dark flesh-toned, just in case I ever decide to get a tan, soft as butter, no seams, imported from Yougotoslavia, trick angel in the neighborhood, prosthetic bra.

That means I'm down to homemade prosthetic bra...sports bra, double cloth, hole cut to slip in the prosthesis...till the laundry is done. (Black)

I can't WAIT to see that bra and tell IT JUST what I think...

I did the washing...as they tell you to...special this, special that...blah, blah, blah, care of the prosthesis, the air-cooling pad, new edition...you can put this in the refrigerator to cool you off in the summer, but NOT in the dryer or washer, special soap for that...and then there are the bras...carrying around the prostheis all day is like lifting weights...weight...sorry...so, one side gets a workout and the other...sits there like a valley girl...examining her nails...waiting for the fat-ass girlfriend on the left to CATCH UP, will ya?

huff, puff...along...

It's not like I can go down to a local store, your basic wallymarts, and purchase one of these...no, you have to go someplace like to a hospital to buy your freaking underwear...

AH HAAAAAAAA!

Mystery solved...did I check the clean clothes basket...one of four? Folding laundry around here gets to be an ISSUE...and there she was, ms. yugoslavia...

now that I'm dressed for the day...in my jerryrigged sports bra...

You think that is funny, you should see my swimsuit! HA!

Tuesday, February 13, 2007

La recette du jour : Tartiflette

La recette du jour : Tartiflette

reblochon fermier
www.reblochonfermier.com

Reblochon fermier

For many years, the local farmers of the Haut-Savoie kept the existence of Reblochon a secret. Produced late in the day, after the tax collectors had completed their rounds, the farmers would continue their milking making this cheese for their own consumption. Reblochon means “to pinch a cow’s udder again”. Thankfully, good fermier Reblochon is still made today and this small cheese, with its distinctive pinkish/grey rind and chewy, supple pâte shows a rich hazelnut taste and complex earthy aroma. Our affineurs wash the cheeses in an Arbois wine before ripening. Unless conditions have made the crust soggy and bitter, the rind and all can be eaten with pleasure.

Savoie
The Savoie region does not offer its farmers the option of taking their milk back down the mountain on a daily basis to be transformed into cheese at the local fruitières. The mountains here are simply too steep by far. In fact, many areas are not inhabitable, being suited only to sustaining grazing cattle. In the Savoie farmers, move up into the mountains with great procession and festivity in the Spring, not to return until the late summer months. Cheese here is made exactly where the cows are milked, in small, stone mountain-top chalets. And it is in these chalets that the cheese will be matured for many months to come.

Ingrédients :
1 reblochon fermier
500g de pommes de terre
2 oignons moyens
250g de lardons



Recette :
Dans une poêle, faites cuire vos oignons émincés.
Ajoutez les lardons et laissez cuire pendant 10 minutes.
Lavez et épluchez les pommes de terre puis coupez-les en dés.
Faites-les rissoler pendant 20 minutes.
Une fois que les pommes de terre sont cuîtes, mettez les oignons, les lardons, et les pommes de terre dans un plat allant au four.
Coupez le reblochon fermier en 2, et disposez-le sur les pommes de terre.
Préchauffez le four à 200°C (th.6), et laissez cuire 25 minutes.
Dégustez.

 
 
Faites cuire les pommes de terre épluchées dans de l’eau.

Ne les faites pas trop cuire de façon à ce qu’elles restent un peu fermes.
Découpez-les en rondelles.

Préparez votre Reblochon fermier en enlevant la croûte et en le découpant en lamelles.

Dans une poêle, faites revenir les lardons et les oignons puis arrosez avec le vin blanc.
Réduisez le tout. Ensuite rajoutez les pommes de terre. Salez, poivrez.
Dans un plat, versez la préparation et déposez les lamelles de Reblochon.
Enfin, recouvrez avec une pâte feuilletée.

Temps de cuisson : environ 30 min.
Température du four : thermostat 6-7.

C'est prêt. Accompagnez la tartiflette d’une salade verte assaisonnée à l’huile de noix ou de noisette, et d’un bon vin rouge de Savoie plein de caractère - à consommer avec modération.

http://www.direct-reblochon.com/tartiflette.html

I'm not ready to make nice...


what is monkey face planning on doing...going after everyone, including the states that opposes him, the monkey with the opposable thumbs, sorry monkeys...to associate you...but...evolution just hasn't hit all the corners of the creation...yet.

----------------------

Artist/Band: Dixie Chicks
Lyrics for Song: Not Ready To Make Nice
Lyrics for Album: Taking The Long Way
Forgive, sounds good.
Forget, I'm not sure I could.
They say time heals everything,
But I'm still waiting

I'm through, with doubt,
There's nothing left for me to figure out,
I've paid a price, and I'll keep paying

I'm not ready to make nice,
I'm not ready to back down,
I'm still mad as hell
And I don't have time
To go round and round and round
It's too late to make it right
I probably wouldn't if I could
Cause I'm mad as hell
Can't bring myself to do what it is
You think I should

I know you said
Why can't you just get over it,
It turned my whole world around
and I kind of like it

I made by bed, and I sleep like a baby,
With no regrets and I don't mind saying,
It's a sad, sad story
That a mother will teach her daughter
that she ought to hate a perfect stranger.
And how in the world
Can the words that I said
Send somebody so over the edge
That they'd write me a letter
Saying that I better shut up and sing
Or my life will be over

I'm not ready to make nice,
I'm not ready to back down,
I'm still mad as hell
And I don't have time
To go round and round and round
It's too late to make it right
I probably wouldn't if I could
Cause I'm mad as hell
Can't bring myself to do what it is
You think I should

I'm not ready to make nice,
I'm not ready to back down,
I'm still mad as hell
And I don't have time
To go round and round and round
It's too late to make it right
I probably wouldn't if I could
Cause I'm mad as hell
Can't bring myself to do what it is
You think I should

What it is you think I should

Forgive, sounds good.
Forget, I'm not sure I could.
They say time heals everything,
But I'm still waiting.

[Thanks to katiemacintosh11@hotmail.com, leighanne_mataranglo@yahoo.com,
dgamboni@comcast.net, swool@mthamilton.us, snowprncess08@aol.com for lyrics]

http://www.cowboylyrics.com/lyrics/dixie-chicks/not-ready-to-make-nice-16996.html

Freedom of Speech...

Finally Ready to Make Nice: Dixie Chicks' Reputation Is Restored
Grammy Awards and New Political Climate Silence Critics of 'Loudmouth' Country Singers

By SUSAN DONALDSON JAMES
Feb. 12, 2007 — - The Dixie Chicks rose from outcasts to icons Sunday after winning five awards at the 49th annual Grammy Awards.

Since 2003, the country singing group has been shunned by Nashville and vilified by the political right for a stinging remark made about President Bush: "We're ashamed the president of the United States is from Texas."

The band's wry single "Not Ready to Make Nice" won the award for best song. It seems that the cloud of political reproach that has hovered over the Texan-born trio has lifted.

Four years ago the girls were the darlings of country music, even crossing over to get mainstream radio play. But when lead singer Natalie Maines spoke out at a London concert, some American radio stations stopped playing their songs, and album and tickets sales suffered.

Their validation comes at a time of increasing anger about the war in Iraq and follows some of the lowest approval ratings of any president ever. The unpopularity of President Bush rivals that of Jimmy Carter in the midst of the Iranian hostage crisis and Richard Nixon during the Watergate scandal (Carter, incidentally, won a Grammy Sunday night for best spoken word recording).

Sunday's Grammy Awards were set against the backdrop of the early campaign trail with Hillary Clinton fighting off criticism in New Hampshire that she voted for the war. Suddenly -- in a new political climate -- the reputation of the self-described "loudmouth" Dixie Chicks is improving.

"They deserve a lot of credit," said Nathan Brackett, senior editor for Rolling Stone magazine. "There have been a lot of songs coming from indie rockers about the war in Iraq, but the Dixie Chicks made a stand in a hostile environment among country stars that value loyalty and patriotism.

"It's a lot different to be a country artist and make a political stand than if you are a Steven Tyler or a Don Henley," he said.

The Dixie Chicks also won record of the year, song of the year and album of the year, in addition to best country album and country performance by a duo or group with vocal. The last time an act swept the album, record and song categories was in 1993 when Eric Clapton led the field.

"I think people are using their freedom of speech tonight with all of these awards,'' Maines told Reuters.

Their career now boasts 13 Grammy awards. "Taking the Long Way'' was the ninth-biggest album in the United States last year, according to tracking firm Nielsen SoundScan, but sales of 1.9 million copies to date were relatively disappointing compared with previous releases. The award-winning album was shut out of the Country Music Awards last November.

Bracket says the musical rebirth of the Dixie Chicks was only possible because the Grammy organization is far more liberal than the Country Music Association that has ostracized the Dixie Chicks following their political commentary.

"I think the Grammy voters thought it would be an especially nice story to see them winning this time," he said. "It gives the whole ordeal a happy ending."

"Of course, I haven't checked out the right-wing commentators. The Grammy voters are more left of center and are rewarding them for their political stand," he said. "No doubt 2007 is a different year from 2003, although there is probably no shortage of people who don't support Natalie Maines for that."

The cultural controversy has no doubt underscored the red-state, blue-state divide that arose from the contentious 2000 presidential election when a Supreme Court ruling sent Bush to the White House.

When Maines' remark was first made in 2003, thousands of country fans wrestled with issues of patriotism and free speech. Some critics -- even in Nashville -- thought the industry had overreacted.

The daily newspaper The Tennessean said the reaction had "gone beyond its traditional support of America and the armed forces and begun to cultivate an atmosphere that's intolerant of dissent from the Bush administration's strategies in the war on terror."

Rabble-rousing songs by country singers Toby Keith and Darryl Worley became smash hits after Sept. 11, and the country radio-station boycotts led some to believe country music was "drawing ideological lines."

"If you were just casually listening to country radio in the last year, you would think it was the music of Republicans," Beverly Keel, country music journalist and Middle Tennessee State University associate professor told The Tennessean. "That's (been) reinforced with the way the Dixie Chicks have been treated."

The Grammys have also secured the Dixies Chicks' place as female musicians -- another reflection of America's readiness to embrace a softer tone.

"It's not just the political situation," said Steven A. Miller, professor of broadcast journalism at Rutgers University. "It's an award for doing a fantastic job on a great album. These three women are extremely talented and have broken barriers in other ways."

"In an era where the general assumption still is that men are the primary musicians on albums even with women in the lead, these three women play all of the instruments on this album even when they aren't the one behind the keyboard," he said.

Miller said he believes Maines' diatribe against Bush was "much ado about nothing," played out mostly in the country music world. But, he said, the controversy fueled a more ominous fear of dissent in America.

"It was part of the overall reaction to any protest against the war," said Miller, "and it reflected the chasm that existed and still exists within the political opinions in the United States. Toby Keith took it upon himself to be the personal spokesperson for the pro-war country music faction."

"Much of the controversy can be seen in the nominated documentary 'Shut Up and Sing,'" added Miller. "Whether right or wrong or left or right or whatever side you believe in, the hallmark of this country is the freedom of speech and the First Amendment. The Dixie Chicks were just exercising their constitutional right to speak out." Only time will tell if this war of words is over and whether Nashville can celebrate the Grammy attention given to the Dixie Chicks. Despite past bad blood, even country music enthusiasts may be coming around.

Tammy Genovese, CEO of the Country Music Association (CMA), congratulated the Dixie Chicks in a collective announcement about all the winners. But one official who did not want to be named was more emphatic in his praise of the former pariahs.

"The Dixie Chicks have won so many awards, including Entertainer of the Year," he said. "We are happy to have them even though they have been polarizing in the country music community. As far as we're concerned, we are really proud of them."

Jelena Skopelja contributed to this story.

http://abcnews.go.com/Entertainment/print?id=2869064

When a Chick speaks, you boyz outa listen

esp. you beltway crybaby, boyz...all I can say is, at least she SAID SOMETHING. Hell, I thought the U.S. should secede from Texas. Given the embarrassment of Enron and Co. But you know them scrub bush cutters...don't know enough to leave things alone...not even themselves and the rest of the world, apparently. "Not Ready to Make Nice" should be the anthem of the war protest. I vote yes.
--------------

Dixie Chicks: Celebrating the Pablum protest

Re-embraced at the Grammys, the band's anti-Bush stance is easier to sell than Neil Young's anger
ROBERT EVERETT-GREEN
From Tuesday's Globe and Mail

George W. Bush could use the kind of spin-doctoring that got the Dixie Chicks into the winner's circle at the Grammy Awards on Sunday, three years after a stray remark that some astute storytelling had worked up into a blazing affirmation of Americans' right to free speech.

The Chicks swept the field at the broadcast awards, taking all five prizes for which they were nominated, including the all-important album-of-the-year award, plus two marquee trophies for their defiant single, Not Ready to Make Nice. These honours had less to do with music than with a feel-good storyline, and with retrospective regret over what many Americans didn't say when the country was stunned into compliance with the Bush agenda after Sept. 11.

The Chicks have never been a political group, though they once recorded a playful song about killing an abusive spouse. Politics came to them three years ago, after the Texas-born singer Natalie Maines told a London audience: "Just so you know, we're ashamed the President is from Texas."

Rumblings from across the Atlantic, where Congress had approved Bush's plan to invade Iraq, prompted Maines to issue a public apology to the President four days later. By the end of the month, she had told a TV interviewer that her comment was "a joke. . . . It got lots of cheers, and that's what it was meant for."


The Dixie Chicks: Emily Robinson, left, Natalie Maines, centre, and Martie Maguire. (Frazer Harrison/Getty Images)

Looking at footage from that concert three years later (for his review of Shut Up and Sing, a documentary about the Chicks), Globe film critic Rick Groen said Maines's comment "seems less a political statement than a performer's pandering, just a saltier version of 'We love you, London.' "

And yet that comment is the basis for the Chicks' current stature as freedom-fighting musicians. Joan Baez, who introduced the group during Sunday's broadcast, compared them favourably to Woody Guthrie.

It's true that the Chicks' careers were initially damaged by Maines's remark. Their record sales dropped sharply, their songs disappeared from some country music playlists and open-line radio hosts questioned their patriotism -- a strong charge against a group whose audience included a lot of red-staters.

After Maines's backpedalling failed to work, the group and its managers apparently decided to mine the controversy for whatever benefit they could find. The three women appeared naked on the cover of Entertainment Weekly two months after the London concert, their bodies painted with slogans and epithets. The image seemed to suggest that they were being used by both sides, both pro-Bush and anti-Bush. But as the war in Iraq carried on and went bad and as Bush's approval ratings dived, the Chicks began to see themselves not merely as victims but as actors in an improvised free-speech drama.

Not Ready to Make Nice retracted Maines's retraction in song, without extending or fleshing out the dissent of her original remark. Neither the song nor the album that featured it (Taking the Long Way) contains any substantive political comment. The Chicks seem less agitated about American foreign policy (or the domestic impositions of the Patriot Act) than about what happened to them personally. They were having a perfect storybook career, and suddenly people got mad and said mean things and interfered with the steady rise of their concert receipts and album sales.

The album made its debut last summer at No. 1 on both the pop and the country charts in the U.S., and sold more than half a million copies in its first week. But the story of freedom denied was still building toward Sunday's climax. Much was made of a few Texas radio stations that declined to play the songs or promote the shows. The indignities of 2003 were recounted in Barbara Kopple's documentary, which hit the film festivals just after the album came out. A trailer for the film spoke darkly of a conspiracy against the loveable performing moms.

The basis for such a claim seems laughably skimpy. Even Fox News had nice things to say about the group in a September report, describing them as "important purveyors of a new kind of protest music, the female Bob Dylans of 2006."

As they stood smiling with their trophies on Sunday, it seemed obvious that the Chicks had been converted into comforting surrogates for many in the music industry. Here were three attractive, successful women, who had spoken up at an inopportune moment, paid the price, and still managed to profit from their dissent. For all those who wished they had said more when Bush seemed unstoppable, you couldn't find a gentler salve for a guilty conscience. Far better to have the Chicks beaming gratefully, than to have Neil Young up there, with his unfriendly scowl and angry album (Living with War, an unsuccessful Grammy nominee), and angry words, perhaps, for those who still don't feel comfortable dissing the Commander-in-chief in public.

http://www.theglobeandmail.com/servlet/story/RTGAM.20070213.wxdixie13/BNStory/Entertainment

Suzie Smith from Vancouver, BC, Canada writes: I agree with Scott Reid - Robert Everett-Green's patronizing criticism of the "pablum protesters," the Dixie Chicks, is just another example of the one-dimensional criticism leveled against these performers in the States four years ago. He proves my point: that what makes the Chicks' story such a powerful and disturbing one is that these were three young female American country singers that expressed a viewpoint that countless middle-aged men (including Neil Young) have consistenty expressed without any negative consequences. Those men were never punished for their views, but these women were - because they are women, and their job is to shut up and sing, as far as many were concerned. The story of activism for most is the story of the Dixie Chicks - apolitical people for whom a personal experience - often negative - electrifies and politicizes them and spurs them to action. The personal is political, Mr. Everett-Green - especially for women. Maines' panicked apology in 2003 was followed by a stark and painful realization of the true nature of American culture at the time - that the 'free speech' the band had enjoyed and profited from for so long didn't really exist. A basic tenet of American democracy had huge, gaping holes in it. Let that be a lesson to anyone who chooses to speak their mind publicly, for fun or for folly: depending on who's side your on, you may be punished.
Posted 13/02/07 at 9:14 AM EST

C. H. Oakley from Canada writes: The Dixie Chicks are remarkably brave and feminine artists and I am dismayed that the Globe has chosen to publish this piece attacking them. Just like the other 65% of Americans who do not approve of George W. Bush, their careers and personal safety are at risk every day. I think the Dixie Chicks should be nominated for a Nobel Peace prize, or at least a MacArthur Foundation 'genius' award. Their contribution to humankind has been significant, and deserves to be recognized.
Posted 13/02/07 at 9:22 AM EST

Billie Smith from Oshawa, Canada writes: Dixie Chicks did the right thing. They said what everyone was thinking, and illustrated many obvious things about the wacked out americans.

Americans don't have freedom of speech, as the Chicks clearly found out. There is a huge double standard in the US, women can't do what men do. And, it's shows how openly stupid americans are as a whole.

If the american people weren't ignorant, or stupid to the point they allow Bush to lie to them so he can go murder people this wouldn't be talked about.

Bush wanted the oil, and nobody was going to stop him. As the the ignorant american people have found out, albeit too late. Bush is a terrorist.
Posted 13/02/07 at 9:38 AM EST

The common man and woman speak truth

Remember: October 15, 1969...do it again.
Support the troops, bring the troops home
October 15, 1969

Back in the day, the "60s"--there was such a thing as protest, and in my high school, we had a War Moratorium, and I think it is time to do this again.:

The Moratorium to End the War in Vietnam was a large demonstration against United States involvement in the Vietnam War that took place across the United States on October 15, 1969. The Moratorium developed from Jerome Grossman's April 20, 1969 call for a general strike if the war had not concluded by October. David Hawk and Sam Brown, who had previously worked on the unsuccessful 1968 presidential campaign of Eugene McCarthy, changed the concept to a less radical moratorium and began to organize the event as the Vietnam Moratorium Committee.

By the standards of previous anti-war demonstrations, the event was a clear success, with millions participating throughout the world. Boston was the site of the largest turnout; about 100,000 attended a speech by anti-war Senator George McGovern. Bill Clinton, while a Rhodes Scholar at Oxford, organized and participated in the demonstration in England; this later became an issue in his Presidential campaign.

http://en.wikipedia.org/wiki/Moratorium_to_End_the_War_in_Vietnam

-------------

Fallen Maine soldier a father, son, hero
By Aimee Dolloff
Tuesday, February 13, 2007 - Bangor Daily News


 Doug Poor and Rhonda Bickmore, at Poor’s home in Corinth on Monday, reflect on the life of their son Staff Sgt. Eric Ross who died in Iraq on Friday. (Bangor Daily News/John Clarke Russ)


 A military photo (left) shows Staff Sgt. Eric Ross. At right are earlier photos of him and his family. Ross, 26, died Friday in Iraq. (Photo Courtesy of Eric Ross Family)


 A military photo of Eric Ross. Staff Sgt. (Photo Courtesy of Eric Ross Family)


CORINTH - More than anything, Staff Sgt. Eric Ross was a dedicated family man, a soldier and a proud American.

Ross, 26, was in his second tour of duty in Iraq when he was killed Friday during combat operations in Baqoubah, a city northeast of Baghdad in Iraq's Sunni Triangle.

Assigned to B Company, 1-12 Combined Arms Battalion, 3rd Brigade Combat Team, of the 1st Cavalry Division based at Fort Hood, Texas, Ross was the leader for a platoon of eight men.

"The first time he was over there, I watched the news every day. This time, I couldn’t do it," Eric’s father, Doug Poor, said in an interview Monday afternoon in his home.

U.S. and Iraqi forces have been battling Sunni insurgents and Shiite militias for months around Baqoubah.

"He told me he was going to be safer this tour because they don’t blow up squads as much as infantry," Poor said. "So much for that theory."

Sitting in his dining room Monday afternoon, Doug Poor and his ex-wife, Rhonda Bickmore of Kenduskeag, shared memories of their son.

Scattered on the table were sheets of paper with handwritten notes that soon would be transformed into their son’s obituary, along with photos of a childhood gone by.

There were occasions when young Eric went to hunting camp with his dad.

"We did have some good times at hunting camp — when I could get him out of bed in the morning," Poor said.

Then the boy from Glenburn who went to Orono High School and liked to play video games and make photographs grew into a married soldier with two children and a third on the way.

"His kids are the world to him," Eric’s wife, Allison Ross, said Monday by telephone. She and the children were planning to leave Texas for Maine today. She is expecting the couple’s third child in May.

Allison and Eric were married just before Eric deployed for his second tour of duty last September. She called her father-in-law Monday afternoon from Fort Hood, Texas, located between San Antonio and Dallas, where Eric was stationed and the couple was living.

"He’s very, very extremely family-oriented," Bickmore said.

Eric enjoyed taking his two children, Trever, 7, and Megan, 4, to a water park in Texas, hanging out on Sunday afternoons watching movies, and visiting his Army friend Brad and his family in San Antonio.

"He missed family. He missed being home," Bickmore said.


The best he could be


The last time the mother spoke with her son was Feb. 4, a Sunday.

"He was so committed to doing the job he was committed to do," she said.

"He took great pride in his squad," Poor added.

Eric’s friend Brad called Poor on Monday morning. He told the grieving father that Eric "was not the type that would stand back and tell his men to go in."

Brad, who was injured during a previous tour of duty with Ross, explained that in the heat of battle, protocol isn’t always followed to a T.

"That was his heart, to make sure they were taken care of," Bickmore said. "He had this very sensitive side."

Ross wanted "to be the best soldier that he could be for his country," Bickmore said.

With military influences on both sides of his family, he joined the service at age 20.

His 21st birthday was celebrated at basic training — the same place he was during the Sept. 11, 2001, terrorist attacks.

After his first tour in Iraq, Eric received orders to report to Georgia, where he was supposed to instruct firearms sessions for new Army privates.

"He wasn’t supposed to go the second time," Poor said. "They canceled his orders and said, ‘You’re going back.’"

"He didn’t really want to go back," Bickmore said. "He wanted to stay with his family."

But Ross felt a sense of duty and went overseas to defend what he believed in so strongly.

"He saw some really horrible stuff," Bickmore said. "Iraqis spit and throw rocks at soldiers."

The day Eric was killed, the plan was supposed to follow protocol: The Iraqi forces being trained by the Americans were to enter the building first, followed by U.S. troops.

"This time, the Iraqis refused to go," Poor said.

Ross’ squad entered, but the building was booby-trapped. A bomb went off and three U.S. soldiers were killed. Another four were sent to Germany for medical treatment, while others were bandaged and returned to duty.


‘A lot more horrible’

Ross’ parents said they believe Americans receive an appropriate portion of the reality of the Iraq war through the media.

"But it’s a lot more horrible than what we’re told," Poor said. "We read about it and see it in the media, but our soldiers are right there, stepping over bodies."

"There’s just so many families that are going to be robbed of their kids," Bickmore said, adding that it’s more dangerous in Iraq now than during her son’s first tour.

"It just isn’t working," she said. "Their own people are even killing each other.

"Not only are they battling the mind-set over there or things going on, they’re battling things that they’re seeing and smelling."

"And trying to stay alive," Poor added.

Eric told his mom he recently was assigned to guard a Black Hawk helicopter that had been shot down.

"He said you could smell death," Bickmore said.

She learned of her son’s death Friday when her daughter called with the news. Ross’ friend Brad had contacted the family.

Poor arrived home after receiving a page from his ex-wife and found a military vehicle in his driveway.

"I knew," Poor said.

For the sacrifices he made for his country, Ross always will be an American hero. Overcome by his son’s death, it was difficult for Poor to talk about his feelings for his son, so instead he wrote on a small piece of paper:

"His wife told me that she talked to him before this mission, and he made her promise that if anything happened to him, she was to tell me that I was his hero, which is ironic, because he was my hero and I was very proud of him."


http://www.bangornews.com/news/t/news.aspx?articleid=146315&zoneid=500

Monday, February 12, 2007

October 15, 1969

Support the troops, bring them ALL home
October 15, 1969

Back in the day, the "60s"--there was such a thing as protest, and in my high school, we had a War Moratorium, and I think it is time to do this again.:

The Moratorium to End the War in Vietnam was a large demonstration against United States involvement in the Vietnam War that took place across the United States on October 15, 1969. The Moratorium developed from Jerome Grossman's April 20, 1969 call for a general strike if the war had not concluded by October. David Hawk and Sam Brown, who had previously worked on the unsuccessful 1968 presidential campaign of Eugene McCarthy, changed the concept to a less radical moratorium and began to organize the event as the Vietnam Moratorium Committee.

By the standards of previous anti-war demonstrations, the event was a clear success, with millions participating throughout the world. Boston was the site of the largest turnout; about 100,000 attended a speech by anti-war Senator George McGovern. Bill Clinton, while a Rhodes Scholar at Oxford, organized and participated in the demonstration in England; this later became an issue in his Presidential campaign.

http://en.wikipedia.org/wiki/Moratorium_to_End_the_War_in_Vietnam
---------


Phyllis Stimpson of Franklin strokes the face of her nephew Staff Sgt. Harold Gray at a homecoming reception held for the disabled veteran at the Penobscot Fire Department on Saturday. (Bangor Daily News/Kate Collins) Buy this photo


Injured soldier welcomed back home to Penobscot
By Eric Russell
Monday, February 12, 2007 - Bangor Daily News


George Gray had no way of knowing whether his son was aware that all of the cars, the signs and the people were there because of him.

But he had a feeling in his heart.

"I think he knows," Gray said Saturday afternoon inside the Penobscot Fire Department, where a community gathered to welcome home a native son. "When he left he said, ‘Dad, I’ll be home soon.’

"Now he finally is."

Staff Sgt. Harold Gray, 37, a member of the Maine Army National Guard’s 133rd Engineer Battalion, suffered critical injuries when his convoy was attacked in Mosul, Iraq, on Dec. 26, 2004.

The bombing sent shrapnel through his arm, his chest and his brain. He has been recuperating slowly ever since, including the last year and a half spent at the Togus VA Medical Center in Augusta.

He still can’t move on his own. He can’t speak or see, but those closest to him say he’s home and that’s what matters now.

"I can’t even explain how much it means," Laurie Gray, the wounded man’s wife, said Sunday from their home in Penobscot. "I’ve brought him home before, but it was always just for a night. He always had to go back [to Togus]."

——

When fellow Penobscot residents learned that Harold Gray was coming home for good on Saturday, the community decided he deserved a hero’s welcome.

Penobscot Fire Chief Bim Snow called Laurie Gray a few weeks ago to let her know he was setting up something special.

"I spent a lot of time on the phone the last few days," Snow said Saturday. "But everyone I called was more than willing to participate. It went beautifully."

The "it" Snow referred to was a seemingly endless line of firetrucks, ambulances, Army National Guard jeeps and Humvees that escorted Harold Gray from Augusta to Penobscot.

Fire departments from Palermo in Waldo County to nearly every agency in Hancock County participated Saturday, and they weren’t alone.

For miles along Route 3, and then Route 1, clusters of people braved the cold to wave flags or simply their hands as the escort drove by. Many area businesses changed their signs to read, "Welcome Home Harold Gray."

Chief Snow, who knew Gray as a boy, said the homecoming was important, not just for the man and his family, but for the community.

"A lot of people have followed his story, and to see this many townspeople here is a testament to that," Snow said.

——

Saturday’s escort ended at the fire station in Penobscot, where the four-bay garage overflowed with people, some of whom knew Gray personally, but many who knew only his name and his story.

That story is a rare mix of triumph and tragedy.

Triumph resonates in the strides Gray has made while healing his body, first at Walter Reed Army Medical Center in Washington, D.C., and then Togus. It also shows in the unwavering support of his family.

The tragedy is that he never may heal fully from his brain injuries.

"It’s hard to see him this way, but you have to hide your emotions a little. You have to push that aside," said 30-year-old Daniel Trojecki, one of Gray’s closest friends in the 133rd. "The thing to remember is that Harold is still here. He hasn’t died."

People gathered around him on Saturday as he sat in his wheelchair. His face was shielded partly by a camouflage Boston Red Sox hat, his head was cocked to the side and one eye was open.

Faith Steward, one of Gray’s nurses at Togus, drove the hour and a half from Augusta to Penobscot on Saturday with two other nurses to say goodbye.

"It’s always sad to see patients go, but he’s home where he belongs," she said.

As for Gray’s brain injuries, Steward said, "There’s more in there than people give him credit for."

——

Laurie Gray has spent nearly every day traveling to Augusta to be at Harold’s side.

On Sunday, she didn’t have to make the trek, and she said that was a nice feeling.

"I’m still in my pajamas," she said with a laugh. "I’m going to keep them on all day."

Laurie Gray stopped working several months ago. Now that her husband is home, his care is her job, and it’s likely to be full-time.

"I’m trying to ease into everything," she said. "It has been a reality check and things have changed a lot. It just goes to show you that you just never know what’s going to happen."

She has her work cut out for her, to be sure, but things will be easier.

Darren Mehuren of Brooks, a construction worker who served with Gray in the 133rd, recently renovated the Grays’ home in Penobscot.

A 400-square-foot addition was built, which will become Harold Gray’s room, complete with all the medical equipment he will need.

He’ll have plenty of support, too.

"People have been calling to see if we need anything. I’m just amazed," Laurie Gray said.

Still, no one knows what the future will hold.

"Whatever happens now, at least he’s home," George Gray said.

Laurie Gray said she doesn’t think about the future, only the present.

"He’s home. He’s with me. That’s all I need right now."

http://www.bangornews.com/news/t/news.aspx?articleid=146266&zoneid=500

Saturday, February 10, 2007

Date Reign of Terror is Over




http://www.cafepress.com/bettybowers/2343721

Tuesday, January 30, 2007

Owner missing



Lives, works in and around the D.C. area...if you see him in his round office...let him know he's lost his joy stick...

Romote control war daddy...

Thought he might be missing it...to make his decisions...
Or, maybe he's just behind the



anyway you look at it...GAMEBOY, he is...

Sunday, January 14, 2007

driven any semblance of working-class experience right off the almost surrealistically classless American screen

I think it's just possible that Hollywood filmmakers and actors make movies about rich people because that's what they know. And I think it's possible that so many Canadian filmmakers make movies about scavengers because that's what they know.

Far from a source of embarrassment, I've always seen this as a stubbornly honest streak in our movies, and measure of their persistent refusal to buy into the culture of fantasy, denial and pure wish fulfillment that is so rampant in Hollywood it has all but driven any semblance of working-class experience right off the almost surrealistically classless American screen.

I would add, cultureless...unless they are stereotyping...

Case in point: Empire Falls filmed in the South End of Waterville...makes me chuckle...sort of...the big whitewash...où est les francos?

Another, Candles on Bay St., Hallmark...you reach Fort Kent by sea according to their geography...If this is Maine, it must be coastal, which rhymes with postal...

Must have been reading Longfellow with his forest primeval...

Enterdrainment

Any passive form of entertainment that is so incredibly mind numbing that it sucks the intelligence from the listener or viewer; ultimately over time reducing (or limiting) them to a simplistic proto-human mental state, incapable of cognition or rational thought.

from Urban Dictionary

JMJ*...1954...they were saying this in 1954!




French in Maine
Lilian E. Avila, Alice R. Stewart
The French Review, Vol. 27, No. 6 (May, 1954), pp. 460-466

*Jesus, Mary, and Joseph

Friday, January 12, 2007

“Raging Grannies”/Les Memes dechainees


“Raging Grannies”/Les Memes dechainees

Not your mother's grandma

By Andrei Liveanu
The McGill Daily
Monday, January 8th, 2007, Volume 96, Number 26


Maureen Adelman, on the left, and Molly Walsh are part of the next generation of retirees that doesn’t want to be a burden on society.
Josh Chapman / The McGill Daily

On a Saturday afternoon last month, about a dozen elderly women dressed in outrageous costumes stood outside the Future Shop on Ste. Catherine. Wearing big sunglasses, pins, flowery hats, pink, mauve, and yellow dresses, and even more brightly coloured shawls, they sang Christmas carols at the top of their lungs.

The passers-by listening closely noticed that these weren’t regular carols, however. The words were changed to reflect the women’s outrage at stores selling violent toys and games. At the start of the holiday shopping rush, these grandmothers were stretching their voices to encourage people to reconsider the presents they would be giving. Some shoppers took only a cursory look before entering the store, but others watched the theatrics in amusement or admiration, and many picked up the literature they were giving out.

Calling themselves “Raging Grannies,” this group is not alone. Rather it is part of an increasingly vibrant movement of socially aware, politically active elderly women who are out to change the world and show that there’s more to grandmotherhood than baking and knitting.

Grey-haired and against the machine

Several peace activists in Victoria, BC were the first to adopt the “Raging Grannies” moniker. In the winter of 1986 they began dressing up and singing songs to protest nuclear vessels entering Canadian waters. This initial “gig” resulted in media attention and the Granny movement has since expanded to many cities across Canada and more recently to the United States and Europe.

Their activities now include many more issues under the social activism umbrella: they sing about war, escalating military budgets, nuclear pollution, health care, landmines, fair trade, climate change, GMO foods, toxic pollutants, and more. Their main goal is to educate people, though they also often distribute literature suggesting follow-up action after singing about an issue.

The Montreal chapter of the Raging Grannies formed in 1989. They have about eight regular members, plus many others who join activities when they can. A French counterpart, Les Mémés déchaînées, formed in 2002. They play heavily on the grandmother stereotype, sometimes serving cookies to audiences while also singing a song called “We’re Tired of Baking Cookies.” They use their antics and ridiculous costumes to get attention and they often use their “grandmotherness” to get access to restricted areas that would otherwise be off limits to activists.

Molly Walsh is a retired children’s librarian and has been a member of the Montreal Raging Grannies since 1993. She first met the Grannies when she went to a potluck at a church where the group was singing. A social activist for many years and about to become a grandmother herself, Walsh was immediately attracted to the group.

“I like the idea of combining social action with having fun. I like being in a group with women who think and feel the way I do regarding various issues,” she says.

The Montreal Grannies took part in every one of the marches protesting the lead-up to the Iraq war and more recently marched in favour of pulling Canadian troops out of Afghanistan. In November, in one of their more confrontational moves, the group sent 42 dead roses to Prime Minister Stephen Harper to represent the number of Canadian soldiers who had died in Afghanistan.

On December 9, the group performed their annual gig downtown to encourage holiday shoppers to not buy war-themed toys, paying special attention to violent video games this year. The Grannies seemed to have extra energy this year due to the unseasonably warm weather, though cold winds, as in past years, have yet to discourage them. As usual, they got a lot of media attention for the performance – exactly what they aim for.

“I think often people are amused, and sometimes I am afraid that they might not take us very seriously,” says Walsh. “But I think they are impressed that we are willing to dress up, get out on a cold street corner, make fools of ourselves, and call attention to various problems.”

Though the activities of the Montreal chapter have remained fairly tame, the group is not afraid to stir up trouble. One year they did a gig regarding fair trade at Fairview Mall in Pointe-Claire. They stationed themselves in front of Foot Locker and started singing to discourage shoppers from buying Nike and other brands associated with sweatshop labour. Security guards kept a close eye but let them stay for almost an hour before escorting them out of the mall.

“I think there is a time and place for civil disobedience and a lot of Grannies feel very strongly that it’s something we should do more of,” says Walsh. “We as a movement have not tackled this issue seriously yet because there is too much disagreement in the ranks about whether it is acceptable or not.”

Chapters in other cities have been more aggressive, however. The newer American groups, especially, are generally combative in their activities. In 2005, some members were even arrested after anti-war demonstrations in Tucson, Arizona, and New York.

For now, however, Walsh is happy with the activities the Montreal Grannies are doing. She says they sometimes have 90-year olds join them in marches, and she certainly plans to continue participating for as long as can.

In a society that is seeing an increasing number of people remain in relative good health throughout their later years, it seems older women are finding ways to be active in the community in creative and engaged ways. Some have found their voice on sidewalks. Others still, have found theirs in a radio studio.

Birds of wisdom

This Wednesday, another group of older Montreal women will take the mic on CKUT Radio McGill to share their wisdom over the airwaves. OWL (Older Women Live), a monthly show, started in March 2004 when the radio station approached Rose Marie Whalley and Barbara Seifred to do a show by older women.

Each of these socially conscious elderly women – or owls, as they call themselves – has her own role on the show: one does the introduction at the beginning of the show, another does the announcements at the end, and another is working the dials and computers. Keeping the show moving throughout is Whalley, a natural on the mic who instinctively keeps guests talking and transitions smoothly between segments.

Various topics are discussed on the show and they are not necessarily related to seniors’ issues. The owls in fact consciously resist talking about stereotypical Grandma topics like knitting, bridge, or cooking.

“The mandate of the show is to break the stereotype of older women as being useless, sexless, or a burden on society,” says Whalley in our interview.

One recent show discussed Muslim women’s integration into Canadian society. Some of the most memorable guests have been Madeleine Parent, the eminent Canadian union activist, and André Ruffo, the former Quebec youth court judge and outspoken defender of children’s rights.

In November, the show was dedicated to the Grandmother-to-Grandmother campaign. Jan McConnell and Nina Minde, two senior women from the Montreal area, came on the show to talk about their founding work with this movement, which aims to mobilize support for Africa’s Grandmothers.

The campaign was initiated after Minde’s work in South Africa made her realize the increasing importance of older women in keeping communities alive in the face of the AIDS epidemic. Children orphaned as a consequence of the disease are most often taken care of by their grandparents, who find themselves in a new role without a support system. The Grandmother-to-Grandmother campaign aims to get Canadian women to help their vulnerable African counterparts.

The owls want their show to let people know that the elderly still have a voice. They hope to have an impact on society as much through the topics discussed as through their actual involvement in creating the show.

“If we continue to sit in silence at home and not use the available technology, we’re just going to get more and more illiterate and more and more forgotten,” says Whalley.

As many will attest, seniors today feel alienated from society, even from their own families as generations increasingly live apart. When their grandchildren lived across the street, grandmothers could easily share her pearls of wisdom. But now with wider distances, radio and technology may prove to be the only means to keep older people on the younger generations’ radar.

Although she realizes that the show currently doesn’t have a very wide audience, Whalley hopes that the owls are creating a space for baby boomers and she dreams of a network of elder radio shows across Canada.

I’m old and I’m proud

While the Grannies and owls have focused on issues that are not limited to the concerns of seniors, other older women have focused their efforts on problems affecting their peers more directly.

At RECAA (Resources ethnoculturelles contre l’abus envers les ainé(e)s), a dedicated group of elderly women volunteers teach fellow seniors about the plague of elder abuse. They believe that the physical, psychological, or financial exploitation of an elder person is the most hidden form of family violence. It occurs in all communities, within all cultural groups and all social classes.

According to the Federal Department of Justice, seven per cent of adults over 65 years old have reported that they had experienced some form of emotional or financial abuse by an adult child, spouse, or caregiver in the past five years. Many more cases of abuse likely remain unreported.

Volunteers at RECAA lead workshops that typically start with a five-minute mime skit on some topic, such as neglect or verbal abuse. Then they ask the audience for suggestions on how the characters in the skit could act differently to better treat elderly people. The skit is replayed, this time with words, and with audience members encouraged to replace the actors, usually in the role of the abused person. Through these workshops, RECAA aims to crack open the doors of secrecy, and give seniors a safe place to communicate and share their personal experiences.

“We want to give people a sense of their reality,” says coordinator Anne Caines. “We don’t preach; we initiate a discussion.”

The organization is especially interested in working with different cultural groups because although abuse may come in different forms, many senior citizens share similar experiences.

In many ethnic communities, elders are brought to Canada by their children to help in babysitting or home care. Though not necessarily intentionally, people force their elderly parents to give up their environment, their friends, and their quality of life.

“Seniors may come from a background where the children are supposed to take care of their parents, but they arrive here, are not taken care of, and are used instead as cooks and maids,” says volunteer Mariella Lubelsky.

Seniors might not speak English or French and could not go to a doctor’s appointment by themselves and are often not aware of the resources available to them. RECAA points them to such help as legal aids and their local community centres.

“We are elders working with elders,” says Lubelsky. “Because of our age and experience, we understand abuse more because we can empathize with the issues.”

For Caines, helping the elderly has a profound impact on the health of society. In the same way that the consequences of crises (like loss of a job or divorce) are not confined to any particular generation, elder abuse has larger repercussions – a happier Grandma could lead to happier grandkids.

Flower Power (Revisited)

While RECAA wants to improve the current situation of seniors and indirectly the children they affect, the Raging Grannies look at the bigger picture. One of their mottos is to make the future world safe for their grandchildren. Particularly when discussing environmental issues, Walsh tells people: “I might not be around when the world falls apart, but what about you?”

With two-career families the norm today, it is increasingly up to elder people to take on volunteer work.

“Now that we’ve finished raising our families and finished our career, we have time to become more involved in the community,” says owl Barbara Jarnes.

Walsh has given a few lectures at Concordia talking about ageism and she often stresses the fact that elder women also feel that they have something unique to share with the younger generation. It should not only be the unfortunate orphan children of societies devastated by AIDS that appreciate their grandparents.

“We’re old women, we’ve lived a long time, we have a certain amount of wisdom, we’ve seen a lot of war,” says Walsh.

“Young people certainly need a guidance that people have in other countries and that people formally had here,” adds owl Whalley. “Grandchildren would go to Grannie or Grandpa [for advice], but this has been lost with the dehumanization of older people.”

Though Whalley believes that there have always been socially-conscious older people, she sees an increase of such seniors working in the community today. This may be due to the longer life-span of people today or to the current state of the world, but she largely attributes this trend to the character of the generation that is now retiring.

“Many of us come out of the sixties generation, we were politically and socially active in our youth and we’re continuing to do more of the same,” says Whalley. “Even if you didn’t go out and march, you still sang along to Joan Baez and Bob Dylan. Idealism was a shared value of that generation and it continues to be.”

Both Whalley and Walsh moved to Canada from the United Sates in the seventies partly because of their opposition to the Vietnam War.

“I think people do deplore the fact that the peace movement which was so strong in the 60s and 70s seems to have bottomed out,” says Walsh. “Despite everything that is going on today it doesn’t seem to gain any momentum. We feel disheartened sometimes.”

But most of the time they don’t lose their natural optimism.

Headlines today often describe our aging population as a mounting problem – one that brings along more spending on healthcare and nursing homes instead of schools and daycare. An older population, the argument goes, means that we focus less on the future.

At least some older women, however, have decided to make the most out of their retirement years, demonstrating that it’s not just young people who take to the streets to try to make the world a better place.

http://www.mcgilldaily.com/view.php?aid=5728

Post on other posts:
http://intellectualize.org/archives/008987.html

Montreal Raging Grannies
http://www.raginggranniesmontreal.ca/

Granny gaggles
http://www.geocities.com/raginggrannies/GrannyGaggles.html

Les MÉMÉES DÉCHAÎNÉES
http://cf.geocities.com/memeesdechainees/

Bienvenue à Notre Histoire Orale!
Welcome to Our Oral Herstory!
http://projets.studioxx.org/projets/histoiresOrales_vsn1/Vequipe/theres_chris/projet_index.html

Thursday, December 21, 2006

“Pop-tart”

Check out this web site. I recommend starting with “Halloween”. The word “Pop-tart” will forever make you laugh out loud!



http://www.tetesaclaques.tv/




from
Jane

Tuesday, November 21, 2006

everything but the squeal...if you know better, or enough...or anything at all...notice there's blood in the recipe...

Boudin this, or

Boudin that, or

more Boudin,

Boudin, boudin, boudin

always avec le blood...

Boudin

Contributed by Kateri Dupuis

Butchering day on the farm was extremely busy for all the family. The hogs were killed far from the eyes of the young children. Yet, the children knew what it was all about. They were expected to help with some of the chores in the house. My job was to help Mama with the BOUDIN and the SCRAPPLE (headcheese). The fresh blood and the pigs' heads were brought to the house in pails and we got to work. My sister, Mary Dupuis Loser, got my mother to write down the recipe for BOUDIN. Her recipe for HEADCHEESE is lost.

BOUDIN

1 gallon fresh pig's blood
1 cup milk
1 teaspoon salt
1/4 teaspoon of pepper
1 teaspoon cinnamon
2 or 3 large onions, ground
3 pounds fresh ground pork

Run blood through a sieve to break clots. In a large mixing bowl, mix all ingredients. Put in greased cake pans and bake at 250° F. until coagulated. (Test with a knife. If the knife comes out clean, the BOUDIN is done.)

If you use casings, do not fill them too full. Tie them off and boil them in lots of water for 45 minutes to an hour, depending on the size. Make sure they do not rest on the bottom of the boiling pot.

My mother, Emelie Archambault Dupuis, of Peshtigo, Wl used this recipe hundreds of times. The recipe was handed down to her by her mother, Elisabeth Gervais Archambault, who immigrated from Pointe aux Trembles, Quebec.

http://www.uwgb.edu/wisfrench/kitchen/boudin.htm

...the new franco...per...

Sunday, November 19, 2006

Rita and Rhea St. Germain, 1920s, just arrived

Monday, November 13, 2006

my daddy used to know somemat famous...


Robert Maheu
...went to school with him, he'd tell me...and knowing that my dad only went to the 6th grade, back in the day, I finally figured this out how young he was, altough my father was in that grade till he was almost 13 or something like that...as kids he said...Robert Maheu, Howard's hired man...

Robert Maheu was born in Waterville, Maine, in 1918. After graduating from the College of the Holy Cross, Worcester, in 1940, he joined the Federal Bureau of Investigation....

Urban Dictionary...you haven't seen French before...trust me...

What I've posted here is mild...go take a look for yourself...if you dare, retireded

Example: food of shame
1. Any innutritious substance purchased at a quickie mart or gas station that one takes pleasure in eating but does not like to admit that one eats.

Frenchify
Thumbs 11 up, 2 down
To make an English word or phrase sound French by using French pronunciation and surrounding it with a French grammatical structure.

When I couldn't think of the French word for "videotape" on the test, I frenchified the sentence into "J'ai la video."

1. frenchican
Thumbs 4 thumbs up
Small ethnic group decending from refugees of Francisco. Originally, a mix of French and Mexicans, now the hottest minority around.

Hey, do you want to try that new Frenchican restaurant?

by Krazymike Oct 8, 2004 email it
2. frenchican
Thumbs 3 up, 1 down
a certain very hott french speaking mexican.

When we saw the frenchican at Great America on saturday, we couldnt believe our eyes.

1. Franco-American
Thumbs 8 up, 4 down
Americans of French Ancestry Built this country. Be proud of your Ancestors.

Paul Revere was a Franco-American.

http://www.urbandictionary.com/

franco-americans...just keep talking about how

you "lost" your language...or, better still, let others do the talking for you about your "loss" as if that has anything to do with of language...

To be or not to be...or, how about to be or not to do...as in be/do, or, do and be, as in dobedobedo...

Archambault

or as what mon cinq cents said in the stjvt this past week...which I like:

"Parisian French
Someone metioned again last week that we don't speak Parisian French in the Valley [...or anywhere else in the world for that matter...], and they're right; we don't."

WHATEVER.

Tuesday, September 26, 2006

Educating Rhea: sac-de nouds [noeuds], Rhéa

My Daily French Lesson:

Step 1. Today's Astrologues one of the few who call me Rhéa, btw:

Vous vous sentez piégée dans un véritable sac-de nouds [noeuds], Rhéa, et l'heure de la décision critique approche à grands pas. Votre première réaction risque d'être envoyer tout valser et de laisser la tempête à ceux restés derrière. Attention, faire un choix n'a jamais été facile, et vous préférez sûrement ne pas avoir à en faire ! Malheureusement, tout le monde partage cet avis, mais au fond de vous-même sommeille une réflexion qui mérite une oreille compréhensive.


You feel trapped in true bag-of nodes, Rhéa, and the hour of the critical decision approaches with great steps. Your initial reaction is likely to be to send all valser and to leave the storm to those remained behind. Attention, to make a choice forever be easy, and you surely prefer not to have to make some! Unfortunately, everyone divides this opinion, but at the bottom of yourself sommeille a reflexion which deserves an understanding ear.

Step 2.:
Look up nouds at fav french/english-english/french websites, no go...nouds is misspelled...well, the oe combo does not come through on the email of Astrologues .

Step 3:
Google the damn thing...148 sites come up with nouds...lots of misspellings out there...

Step 4:
Give up.

Step 5:
Try something else...Google the word as a picture, which is worth a thousand words...and this is what emerges...which is not entirely clear to me...is it a bag of loop holes or a bag of knots? If people only knew how they were teaching me...

Step 6:
Back to bilidictionary search...Let's go for knots...spelled as noeud...and Crash! Bang! Splash! Pow! Le Bingo! KNOTS...bag of knots, which they've got me all tied up in noeuds now for the work I had to do to get to this place...and I'm thinking, maybe if I could hear it spoken, I might recognize the word...

Step 7:
I want, need more proof/pics...


Step 8:
Sac de noeuds to you, too!



Step 9:
Looks like fun noeuds:
NŒUD
http://www.mathcurve.com/courbes3d/noeuds/noeud.shtml

Sunday, September 24, 2006

I'd pay attention to that title if I were you...

Listen to your mother

By RAY ROUTHIER, Portland Press Herald WriterSunday, September 24, 2006

"MAMAN DISAIT"
("WHAT MAMA SAID")
WHAT: Exhibit of collages by Rhea Cote Robbins, adjunct professor of women's studies and Franco-American studies at the University of Maine, which includes the proverbs and sayings of her mother, Rita L. St. Germain Cote.

WHERE: The Hudson Museum, University of Maine, Orono.

WHEN: through Nov. 27. Hours are 9 a.m. to 4 p.m. Tuesday through Friday, and 11 a.m. to 4 p.m. Saturday.

HOW MUCH: Free.

FOR MORE INFORMATION: Call 581-1901 or go online at www.umaine.edu/hudsonmuseum.

WHAT ELSE: A Web site created around the exhibit and related curriculum materials are at http://www.fawi.net/proverbes/MamanDisait.html.


Donna Roy remembers hearing her mother often say "do unto others as you would have them do unto you."
The words are widely known as the Golden Rule, uttered by Jesus. Sounded like good advice to Roy, so she tried to follow it.
Roy's mother also said, "Don't eat pork. If they (pigs) eat garbage, you eat them and you'll get sick." So Roy followed that advice, too. Mostly because it came from her mother.
"I never ate a piece of pork until I was married and my husband said, 'How come we never have pork chops?' " said Roy, 59, of Old Orchard Beach.
Ah, the power of a mother's words. Most of us have no problem recalling the pithy sayings and bits of wisdom our mothers imparted upon us. They stay with us 40, 50, 60 years.
Long enough for us to learn, most of the time, that mom was right. She knew a little more about life than we did.
Whether it's a clever saying that helps us not to lie, or a funny saying that reminds us of life's ups and downs, things our mothers said are like the Cliffs Notes on how to live life. When we grow up, we may find out our mother did not originate the saying or proverb, but that matters little, because we heard it first from her.
The idea of a mother's words is the focus of an art exhibit put together by Rhea Cote Robbins, an adjunct professor of women's studies and Franco-American studies at the University of Maine at Orono. The exhibit, called "Maman Disait" ("What Mama Said"), is on display through Nov. 27 and features 39 framed art pieces that celebrate the words of her mother.
The artworks are collages of various things - cutouts from period advertisements, garment labels, photographs - that together re-create her mother's sayings.
Robbins' mother, Rita L. St. Germain Côté, was born in 1919 near Fort Kent, and grew up in northern Aroostook County. She was bilingual, speaking French and English in the rural area that borders Canada.
Her sayings were probably influenced by her French heritage and her rural upbringing. But when looking at a list of the sayings, one is struck by how familiar they are, how oft-repeated they are today.
Consider a few of them: "To each his own," "The more things change, the more they remain the same," and "You can't make an omelette without breaking some eggs."
But then there are others in Robbins' show that seem to be a bit more specific to her mother: "Wear everything out at the same rate" and "I have time to pass 10 times (while waiting in traffic)."
Robbins' mother, who died in 1982, worked as a cook in a lumber camp on the Allagash River when she was in her teens, then as an adult lived in Waterville, raised a family and worked as a tailor in downtown department stores. She knew sayings in both French and English.
Robbins struck on the idea of making art from her mother's sayings as she was researching some of them for a trilogy of books she's writing on the Franco-American experience of women in Maine.
As she looked up her mother's sayings in various sources, she began to realize many were universal and that they had been passed down orally from mother to mother for years.
"Historically, it's been the mothers who basically transmit the culture. They have been the language teachers, the caretakers of the children. They taught the morals, how to do life," said Robbins. " I think of those sayings as kind of like a community-shared transmission of values and beliefs. This is a huge store of knowledge passed down orally."
Robbins is intrigued by how some sayings are ways of indirectly saying something very specific. And the specific meaning depends on the time and place in which it is said, who is saying it and to whom it is said.
For example, when Robbins' mother left rural Aroostook County as a young woman seeking work in a city, she was reminded, "As you make your bed, so you must lie in it." The specific meaning in her mother's family, Robbins said, was "Don't get pregnant."
"That was understood," said Robbins, 53. "These sayings had public, formal meanings, but families attributed other meanings to them as well."
Of course, for most of us, that expression has a more general meaning about taking responsibility for one's actions. Still a common theme of motherly advice.
As is lying.
"My mother always has said, 'Never tell a lie, because it's too hard to remember. You don't forget the truth,' " said Mary Wilkins of Bath, whose mother worked as a nurse and a health educator. "She got it from her grandmother, who taught in a one-room school. And you know what? It's true, so I repeat the saying to my children and to their children."
Some mothers' sayings aren't meant to be life lessons but are more observational, and might bring a smile or a laugh to an adult child years later.
Peg Conroy likes to use a line of her mother's that goes, "Let God dry them." Her mother used it when hanging the wash on a line to dry. She does, too. Or when she's drying out wet shoes or wet anything.
"It just makes me laugh. She was Irish, and that was just something she always said," said Conroy of her mother, who died in 1990. "I'm passing it on to my daughter."
Colleen Norberg of Windham remembers several of her mother's sayings, including: "You'll live through it all," "Because I said so" and "Make sure you have clean underwear on in case you get in an accident."
She has two children of her own, ages 15 and 22, and finds herself using the sayings, including "You'll live through it all." She likes that one, because whenever she was whiny or having problems, her mother would say it, and so far, it's turned out to be true.
But Norberg says the favorite or her mother's sayings is "I am your mother, that's why." Simple. Direct. Unimpeachable.
It also, if you analyze it, is a statement of responsibility, of love and caring.
Norberg said at some point she began to use the sayings so much she'd tell people, "I've become my mother." But that is not at all a bad thing, she says.
"I would be lucky to be as good as she is," Norberg said.
Kate Clark Flora, a writer from Harpswell, is also proud to pass along the many sayings from her mother, A. Carman Clark, who was a writer for the Camden Herald newspaper.
Those include: "I did my best with you three and then your true natures came out" and "Who ever told you life would be fair?"
The first one was a way of saying that at some point, each person has to take responsibility for themselves. A parent can only do so much.
"I can use it on my kids, so it's my favorite," said Flora. "It really sums up the nature of the parent-child relationship. At some point you have to take responsibility for your own life."
The second quote, about fairness, can be useful because it often prompts a child-parent discussion about what is fair, Flora said. And lets the parent remind a child that just because life isn't fair, it doesn't mean he or she can be unfair.
Flora's mother grew up in a rural area of the Adirondack Mountains, in upstate New York.
Another of her sayings, which Flora says guides her to this day, was "If you know it doesn't belong to you, leave it alone."
To Flora, that saying speaks to the basic notion of honesty. If you know it doesn't belong to you, no matter whether anybody else knows, you must leave it alone.
"To this day, if I see change on the floor in a store I have to pick it up and hand it to a clerk," said Flora.

http://pressherald.mainetoday.com/mainelife/stories/060924momproverbs.html

Saturday, September 23, 2006

...want to know the exact bitch of it all?




...is to be stuck in one of these...and to be bitch-slapped by one of the sistahs...gender notwithstanding...thinkin' dey "strong" when dey really, really are weak...givin' you one of dey finely, tuned designed Coup de Pouce, insults, dey thinkin' like it really mattered...and what is the bitch of it all...knowin' that that is not reality...only some fractured fairy tale...'remember the fights/remember the fun/remember the homework/that never got done.

Don't know what I'm talkin' about...no matter, just do your thing, go ahead, do your thing. And another favorite line from one of my favorite films, Beauty Shop: "Just Shout it out."

Thursday, September 21, 2006

Black is a Color - Living Hommage to Aimé Maeght

Black is a Color - Living Hommage to Aimé Maeght

Black structures the 20th century, imposed its tonality more vigorous than sad, more architectural than nocturnal, more subtle than force. «Black is like red, like green, like blue, like any other shade, black has its own light, its own half-color, its own shades; it does not make itself an absolutely opaque spot among surrounding objects; it is linked to them by reflects, by recalls, by breakings; in other words, it digs a hole in the painting» (Théophile Gauthier).

http://www.artdaily.com/index.asp?int_sec=2&int_new=17486

Australian Aboriginal Women Painters

Australian Aboriginal Women Painters

HANOVER, N.H.-The Hood Museum of Art at Dartmouth College presents Dreaming Their Way: Australian Aboriginal Women Painters, a groundbreaking exhibition of paintings by thirty-three indigenous female artists from across the Australian continent. On view October 7-December 10, 2006, Dreaming Their Way is the first-ever exhibition of its kind in the United States.

Featuring intensely colorful canvases and intricate bark paintings, this exhibition demonstrates these women's bold and often experimental interpretations of their cultural heritage.

http://www.artdaily.com/index.asp?int_sec=11&int_new=17491&int_modo=1

Saturday, September 09, 2006

Alarm--- Safety Tip, GOOD ADVICE!! Alarm--- Safety Tip, GOOD ADVICE!! Alarm--- Safety Tip, GOOD ADVICE!!

News. How about a story instead? A friend sent me an email, titled: Now We all have home security alarms! (see Original email below, Read it first then read my response...)

Read this second, below first:
While working at the prison, _____________ Correctional...I accidently set off my Ford Explorer's alarm, vehicle sitting there in the parking lot out front of the libarary, while puttting away my keys in my purse...one night, when I had library duty at said prison...alone with 20+ men prisoners coming in from three different "dorms", 60 or so men over the course of one night, to the library to get out of the "dorms"...me and 20+ guys at once...and the alarm in the vehicle kept going and going and going...and FINALLY security sauntered in and was ANNOYED with me for disturbing the peace of the prison with my car alarm...and looked at me like I was, well, a woman or something equally depraved...and wondered why I had not HEARD the thing and turned it off...surrounded by rapists, bank robbers, murderers, drug dealers, sex abusers, passing bad instruments of one kind or another...and I just apologized profusely and hit the panic button's off...and life went on as before...surrounded by criminals...and alarm-free me. Rhea


Email to which I responded:
Original email below

Alarm--- Safety Tip, GOOD ADVICE!!

This is a really good idea.
Next time you come home for the night and you go to put your keys away, think of this:
It's a security alarm system that you probably already have and requires no installation.
Start keeping your car keys next to your bed on the night stand when you go to bed at night.
If you think someone is trying to get into your house, or if you hear a noise outside your house, just press the panic alarm on your car key chain. Test it. It will go off from most everywhere inside your house and will keep honking until your battery runs down or until you reset it with the button on the key fob chain. It works if you park in your driveway or garage.
If your car alarm goes off when someone is trying to break in your house, odds are the burglar or rapist won't stick around..... after a few seconds all the neighbors will be looking out their windows to see who is out there and sure enough the criminal won't want that.
Try yours to make sure it works before you rely on it. Just know that you must press the alarm button again to turn it off.
And remember to carry your keys while walking to your car in a parking lot. The alarm can work the same way there.....
This is something that should really be shared with everyone. Maybe it could save a life or a sexual abuse crime.

Sunday, August 13, 2006

Hope

Today's Quote

Hope is like a road in the country; there wasn't ever a road, but when many people walk on it, the road comes into existence.

-Lin Yutang

Thursday, July 27, 2006

role models, iconograhpy, what happens when big brother pays attention...

Grandma Moses: Grandmother to the Nation To Open

Anna Mary “Grandma” Moses, The Old Oaken Bucket, 1943. Copyright Grandma Moses Properties Co., New York. Collection of the Fenimore Art Museum, Cooperstown, New York.

WINSTON-SALEM, NC.- Reynolda House Museum of American Art will host the exhibition, Grandma Moses: Grandmother to the Nation, from January 27 through April 22, 2007. Organized by the Fenimore Art Museum in Cooperstown, New York, the exhibition includes approximately forty paintings as well as a selection of photographs, artifacts, films of the artist at work, and source material for her art.

Anna Marie Robertson Moses (1860–1961), known to the nation as Grandma Moses, remains one of the most recognized and beloved American painters. Although she did not paint until 1927, at age sixty-seven, within years she had accumulated accolades and achieved fame. The exhibition is organized in thematic sections that correlate to her painting as America made the transition from the Great Depression and World War II through the cold war years and relative economic prosperity. Her images of rural life provided soothing respite from otherwise turbulent times, and fifty years later her vision of the simple life still strikes a resonant chord.

Reynolda House will host an opening party for the Grandma Moses exhibition on Friday, January 26 at 7 p.m. The party will be free and open to the public with hors d’oevres, live music, and a cash bar. For information, please call 336-758-5150.

Grandma Moses: Grandmother to the Nation is funded in part by The Institute of Museum and Library Services, an independent Federal grant-making agency; New York Council for the Humanities, a state affiliate of the National Endowment for the Humanities; and the National Endowment for the Arts. This exhibition was organized by The Fenimore Art Museum, Cooperstown, New York.

http://www.artdaily.com/section/news/index.asp?int_sec=2&int_new=16763

Intangible Evidence

Intangible Evidence Shown at Canada's The Rooms Gallery

Alison Norlen (detail), 2006, from Mirage series, 365 x 609.6 cm.

ST. JOHNS, CANADA.- Intangible Evidence offers a glimpse of innovative artistic projects that explore the documentation of the latent meanings and hidden stories that reside within historical objects and archival representations. Bringing creative practice to bear on objects drawn from within museum and archive collections of The Rooms, the artists involved in the exhibition have also brought their unique experiences, backgrounds, and obsessions that inevitably infuse the creative process. Collaboratively, the work of Michael Crummey, Sara Graham, Andy Jones, Alison Norlen, and Graeme Patterson represents an interdisciplinary dialogue that crosses genres of drawing, animation, installation, audio, and text, illuminating the inevitable fluidity of the imagination of history and memory, and the lines of fact and fiction. Reflecting the diversity of creative process as well as artistic forms of cultural research, the exhibition suggests directions for new spaces for artistic creation, innovation, and debate.

Developed through the artist residencies with The Rooms Provincial Art Gallery, Intangible Evidence uses varying media to explore the documentation of the meanings and stories that lie beyond the historical objects and archival documents. This exhibit crosses the genres of drawing, animation, installation, audio, and text, highlighting the blurred lines of history and memory, fact and fiction, official and vernacular cultures. Reflecting the diversity of creative practice as well as artistic forms of cultural research, the unique experiences of each artist inevitably infuse and have shaped both their selection of artifacts, as well as the work they have developed in response those artifacts.

Michael Crummey - Michael Crummey is a full-time writer living in St. John’s. His first novel, River Thieves, was nominated for the Giller Prize, the Commonwealth Writer’s Prize, the Amazon First Novel Award, and won the Raddall Atlantic Fiction Award and the Winterset Award. He has written three books of poetry, a collection of stories and, with photographer Greg Locke, published Newfoundland: Journey into a Lost Nation in 2004. His most recent novel, The Wreckage, was nominated for the Rogers/Writers’ Trust Fiction Prize and the Bennington Gate Fiction Award.

Sara Graham - Artist Sara Graham's work has centered on the exploration of geographic fictions, blurring spaces within and between the disciplines of art, architecture, urban design and geography. Her interest lies in the philosophical, practical and political aspects of the design, depiction and operation of cities through investigation into general and specific urban, exurban and systems cartographies and topologies. Graham has exhibited across Canada with recent exhibitions at: The New Gallery, Calgary with Bromley's Bluff; YYZ Artists' Outlet, Toronto with Surrealestate; Articule, Montreal with Civic Liberties; Alternator Gallery, Kelowna, Gridding the Landscape, and at the Confederation Centre Art Gallery, Charlottetown, Littoral Documents.

Andy Jones - Actor, writer and director Andy Jones was born in St. John’s, where he co-founded the Resource Centre for the Arts at the L.S.P.U. Hall, co-writing, acting in, and directing many original productions. Andy has written five critically acclaimed one-man comedy shows: Still Alive, Out of the Bin, An Evening with Uncle Val, King O’ Fun, and To The Wall which have extensively toured, to critical acclaim, across Canada, the UK, and Ireland. He is well known in Canada as one of the groundbreaking Newfoundland comedy troupe CODCO, in both its theatrical and television incarnations. In television he has also co-written and performed in Kids in the Hall, Dooley Gardens, The Cathy Jones Special, and Nasty Habits. In film he played principal roles in Rare Birds, Extraordinary Visitor, Brain Candy, A Secret Nation, Paint Cans, Life With Billy, Coleslaw Warehouse, and The Adventure of Faustus Bidgood, which he also co-wrote and directed. Andy is the winner of numerous awards including two Geminis, three Atlantic Film Festival Awards, and the Chicago Film Festival Half-Hour T.V. Award (with Codco), as well as five Gemini nominations, two Emmy nominations (writing for Kids in the Hall) and two Genie nominations for his feature film The Adventure of Faustus Bidgood. He was elected to the Newfoundland Arts Council Hall of Honour in 1993, and was recently awarded the Newfoundland and Labrador Arts Council’s Award of Excellence and the ACTRA Award of Excellence for Lifetime Achievement.

Alison Norlem - Alison Norlen completed her BFA Honours degree from the University of Manitoba and her MFA from Yale University. She currently teaches at the University of Saskatchewan in the Department of Art and History and has exhibited her work in solo and group exhibitions since the late 1980s across the country. Her work is currently touring in the contemporary drawing exhibition Just My Imagination.

Graeme Patterson - Since graduating from the Nova Scotia College of Art and Design in 2002, Graeme Patterson has focused his artistic practice on stop-motion animation and multi-media/sculptural installation. He has exhibited work in film animation festivals, galleries, museums and artist-run centres in Canada and internationally. His first major short animation Don't Ride Shopping Carts won Best Animation at the 2003 Garden State Film Festival and Most Promising New Director at the 2003 Atlantic Film Festival. Now living in Woodrow, Saskatchewan, Graeme works independently, creating puppets, sets, animation and music.

http://www.artdaily.com/index.asp?int_sec=2&int_new=16713

Clothing as Communicator


Clothing as Communicator at the University of California


Alicia Framis, Anti_Dog Copywriting Unwanted Sentences, 3 May 2003, Birmingham; courtesy of the artist.

SANTA BARBARA, CA.- The first exhibition to explore the creative intersection of art, fashion, and human needs and desires opens September 8, 2005 at the Museum at the University of California Santa Barbara. Pattern Language: Clothing as Communicator, organized by guest curator Judith Hoos Fox, will tour nationally through the spring of 2007. The exhibition includes 43 works by established and emerging artists from Germany, Italy, Spain, Honduras, Japan, England, Greece, Egypt, and the United States. The works in Pattern Language, which are either unique or editioned rather than mass-produced, include historical examples, contemporary objects, and new proposals, as well as interactive and wearable editions. Artists included in the exhibit are: Issey Miyake, James Rosenquist, Yoko Ono, Joseph Beuys, and Mimi Smith

Pattern Language: Clothing as Communicator investigates clothing as a means to express and fulfill primary human needs of the mind, body, and soul. The works explore the interaction of clothing, fabric, and the body as a form of communication and as a way of suggesting new relationships between individuals and the coverings that protect, occlude, and redefine our bodies. The exhibition addresses a range of important themes: our need for shelter, social connections, protection, and entertainment, our desire for self-expression, and our need to articulate our identity. Pattern Language represents guest curator Fox’s ongoing interest in art as a signpost for and critique of culture. She explains: “It is exciting to make connections between fashion and art and between art and design across generations of artists; to bring together the work of ethnically and culturally diverse artists; and to show work that involves cutting-edge technologies as well as couture tailoring.”

A DVD compilation of works in the exhibition being worn or performed and a fully-illustrated 56-page catalogue with essays by Judith Hoos Fox, Robin Givhan, and Jeff Weinstein accompany the exhibition.

http://www.artdaily.com/index.asp?int_sec=2&int_new=16709